I've been missing in action for a while. That's because I've been working on a submission for an agent and pulling together my Mills & Boon New Voices entry. I got both tasks done in record time. I'm proud of myself, but guess what folks? I am lousy at dealing with time change numbers. I missed the deadline because I thought it was midnight their time (UK).
Won't lie. I am sad. I cried. I don't cry very often, but I was so very proud of the work and the story. What to do? I considered posting it here, but that would be silly. I want to query the editors and see if they'll take my story from the slush pile.
Meanwhile, I'm cooked and golden like a goose for the rest of the day. I think I shall pour an early glass of wine and have a tiny pity party.
Tomorrow I write again.
Showing posts with label Mills and Boon. Show all posts
Showing posts with label Mills and Boon. Show all posts
Monday, October 10, 2011
Monday, September 19, 2011
Contests and Deadlines Oh My!
I love writing contests. They force me to sit in the chair and get the job done. I've entered two different contests to push my *shiny* in front of the computer and get my manuscripts polished.
Four manuscripts are entered in the prestigious Linda Howard Award of Excellence contest. I'm polishing two of them and fine tuning the other two. I entered the Linda Howard Award of Excellence because Southern Magic is committed to excellence in first round and final round judging. I expect solid feedback and fairness from this contest that I can use to fine tune my WIPs for future submissions. I believe there is still time to enter the contest. If you're on the fence or worried about the costs, offer to judge the contest and get a $5 discount on your entry!!
I'm also officially entered in the Mills & Boon New Voices Contest. I haven't submitted my entry because I'm still polishing my chapter, but I've got the blurbs ready and a short one posted on the Mills & Boon Website. I'm super excited about the story. Last year I entered the contest with another story and I had so much fun. Even though I didn't win the Mills & Boon contest in 2010, I ended up writing a brand new story and it's placed 2nd in the 2011 FAB FIVE contest and has been requested. So I feel like I won by entering the contest.
This is why I enter contests folks. Yes, it's great to win or to final, but the reason I enter is to discover a new story, give myself deadlines, force myself to sit in the chair and see if my new ideas are going in the right direction.
But I am also careful about which contests I enter. There are some that don't match my writing style. Others may not have judges in the final round who fit my targeted line. Or I may have had a bad experience with the contest and have decided to put my money somewhere else. I usually enter 5-6 contests a year. I keep track of the finals/wins/placing and whether or not the final judge requested my material as a result of the contest. My spreadsheet helps me determine where to put my contest money.
For fun I am going to keep you posted on the Mills & Boon contest with little additional blurbs and bits of the story.
Here is my Mills & Boon short blurb for THE MAVERICK'S RED HOT REUNION:
Maverick Zach Tanner returns home to rebuild his dying friend’s resort, but he doesn't count on the woman he once loved to handle the construction contract. Now he's determined to satisfy his craving for Kennedy Gibson without losing his heart.
Here is my longer version which gives a bigger picture about the story:
I love the longer version, but the trick to writing and submitting is to learn how to carve away the words to get to the heart of the story. I'll use both these versions to create different elements for my new story. I can build a synopsis out of version 2. I can build a query letter out of the 1st and 2nd versions. I can build a story out of a sentence if necessary.
This is why I write. I write to discover stories about two lost people who find each other and discover home. Love matters. Romance isn't dead. And I love Romance!
Do you enter contests? If not, what's holding you back? Tell me why you love or don't love contests.
Four manuscripts are entered in the prestigious Linda Howard Award of Excellence contest. I'm polishing two of them and fine tuning the other two. I entered the Linda Howard Award of Excellence because Southern Magic is committed to excellence in first round and final round judging. I expect solid feedback and fairness from this contest that I can use to fine tune my WIPs for future submissions. I believe there is still time to enter the contest. If you're on the fence or worried about the costs, offer to judge the contest and get a $5 discount on your entry!!
I'm also officially entered in the Mills & Boon New Voices Contest. I haven't submitted my entry because I'm still polishing my chapter, but I've got the blurbs ready and a short one posted on the Mills & Boon Website. I'm super excited about the story. Last year I entered the contest with another story and I had so much fun. Even though I didn't win the Mills & Boon contest in 2010, I ended up writing a brand new story and it's placed 2nd in the 2011 FAB FIVE contest and has been requested. So I feel like I won by entering the contest.
This is why I enter contests folks. Yes, it's great to win or to final, but the reason I enter is to discover a new story, give myself deadlines, force myself to sit in the chair and see if my new ideas are going in the right direction.
But I am also careful about which contests I enter. There are some that don't match my writing style. Others may not have judges in the final round who fit my targeted line. Or I may have had a bad experience with the contest and have decided to put my money somewhere else. I usually enter 5-6 contests a year. I keep track of the finals/wins/placing and whether or not the final judge requested my material as a result of the contest. My spreadsheet helps me determine where to put my contest money.
For fun I am going to keep you posted on the Mills & Boon contest with little additional blurbs and bits of the story.
Here is my Mills & Boon short blurb for THE MAVERICK'S RED HOT REUNION:
Maverick Zach Tanner returns home to rebuild his dying friend’s resort, but he doesn't count on the woman he once loved to handle the construction contract. Now he's determined to satisfy his craving for Kennedy Gibson without losing his heart.
Here is my longer version which gives a bigger picture about the story:
Corporate Maverick Zach Tanner returns to North Carolina to rebuild his dying friend’s resort. He’s got the money, the power and the will to transform Sweetbriar Springs into a premier spa for the glamorous, but he doesn’t count on the woman he once loved and lost to handle the construction contract.
Construction company owner Kennedy Gibson is eager to bring her best friend’s last wish to life, but when she realizes Zach is her new boss she’s terrified he’ll learn the truth about their breakup. She denies the attraction sizzling between them and works with the one man she vowed never to hurt again.
Zach thought he’d buried his desire for Kennedy five years ago, but he’s still drawn to her. He’s determined to seduce her and satisfy his craving for her until the project is completed to get Kennedy out of his system.
Kennedy yields to Zach but protects her heart. When their friend dies, the barriers to their emotional union drop and they turn to each other for comfort. But Kennedy’s secret threatens to destroy their red hot reunion. Only the power of love can heal the wounds of their past and give them the future they deserve.
I love the longer version, but the trick to writing and submitting is to learn how to carve away the words to get to the heart of the story. I'll use both these versions to create different elements for my new story. I can build a synopsis out of version 2. I can build a query letter out of the 1st and 2nd versions. I can build a story out of a sentence if necessary.
This is why I write. I write to discover stories about two lost people who find each other and discover home. Love matters. Romance isn't dead. And I love Romance!
Do you enter contests? If not, what's holding you back? Tell me why you love or don't love contests.
Wednesday, May 11, 2011
Break out the Bubbly and the Dark Chocolate: Celebrating Wendy S. Marcus's Debut Novel WHEN ONE NIGHT ISN'T ENOUGH
Please join me in celebrating a wonderful friend's debut medical romance WHEN ONE NIGHT ISN'T ENOUGH. Welcome to the Veranda, Wendy. I'm so glad you're here to share your writing journey. *Pop* pouring champagne....
So let’s get started.
How did you end up becoming a writer?
Unlike a lot of writers, I didn’t pen stories in my youth. And to tell the truth, I wasn’t much of reader, either. That came about later in life, at a school fundraiser, when I found an old Harlequin Superromance in a box filled with children’s chapter books. I purchased it and threw it in the car to pass time while waiting for my children to finish with their dance/gymnastics/baton/soccer/baseball/hockey practices. With that first book I got hooked ravenously reading every romance I could get my hands on. Then came the inevitable terrible – in my opinion – book and I thought, I can do better than that. So I started writing.
Oh, I love Harlequin Superromances. They are fabulous stories. When you write, are you a plotter or do you follow the muse?
When I start a story I loosely plan out the beginning and end. That’s the extent of my plotting. Sometimes, in the murky middle, I curse myself for not doing more.
Ah, the dreaded middle! I know it well. When you're not writing, what do you read? What are your favorite genres? Who are your favorite authors?
I read contemporary, historical, and some light paranormal romance. There are so many authors whose work I enjoy. But if I had to limit it to, say, five, they’d have to be Robyn Carr, Susan Mallery, Victoria Dahl, Lisa Kleypas, and Suzanne Brockmann.
Fabulous authors. I love them all. Do you have any new releases?
On May 1, 2011, my debut Harlequin Medical Romance, When One Night Isn’t Enough, went up for sale in the UK on the Mills and Boon website. In June it goes up for sale in UK bookstores and in July it goes up for sale in Australia and New Zealand bookstores and online in the U.S.
I started writing in 2007, at night after my family went to sleep, and I sold in October 2010.
Was ‘the call’ an actual phone conversation?
Yes, two actually. My agent called me first then told me to wait for a call from my editor who works in England. I was totally stunned and don’t remember much of either conversation. Luckily my editor followed up with an e-mail so I had confirmation it wasn’t just a dream.
What advice would you give aspiring writers?
Practice and perfect your craft. Take classes. Go out into the writing community and mingle, don’t just lurk. And most important, read the types of books you like to write. Stay current on what’s out there and what’s selling.
What encouragement can you give writers who face rejection?
That’s a tough one. All I can say is rejection is a part of the publishing industry. You don’t have to like it but you do need to learn to deal with it. I’ve heard of multi-published authors who have had proposals and even finished books rejected by their editors. It hurts. And it does NOT get any easier. My suggestion is scream out your frustration, preferably when alone. Then get in touch with some of those friends you’ve made in the writing community for support. (You’ve been a great one for me!) And indulge in something that makes you happy. But only for twenty-four hours. Then shake it off and move on. The editor/agent who is a perfect match for your manuscript is still out there, and you have to get back to work trying to find him/her.
Thank you for your kind words. I completely agree that a writing support community is vital to keeping a writer motivated and in the chair. What is the most difficult part about writing for you?
Avoiding distractions while I write. I am constantly hopping on the Internet, checking my emails, and Twitter. I wouldn’t spend near as much time on the computer if I’d just stay focused and write for a solid three hour block of time. I just can’t seem to do it.
Tell me about medical romance. Do you have to be a nurse to write it?
I write for Harlequin Medical Romance which is published out of their Mills and Boon office in England. The circulation is international. Right now the U.S. is one of their smaller markets which is why medical romance books are only available online to U.S. readers. But I’m hoping as more Americans become familiar with the line and realize what great books we put out, that will change. And no, you do not have to be a nurse to write for medical romance. While our stories take place in medical settings with medical personnel as the hero and heroine, like all category romance, our focus is on the primary romance relationship, not blood and guts or sickness and injury. In fact we’re told not to get too technical and to keep the medical scenes in the background. If you’re good at research, you can write medical romance.
I think Medical Romances are wonderful. I order them online all the time. Of course, your book is next in line! I hear you’re running a contest. Would you tell my followers more about it?
Now to get the conversation going. Have you ever read a Harlequin Medical Romance? If yes, what did you think of it? If no, why not? And would you consider making mine your first? I’m happy to answer any questions you may have about medical romance, and one lucky commenter will win a copy of my 2in1 UK release which includes a full novel by Author Janice Lynn.
Thanks so much for sharing your journey with us today, Wendy. I love your cover!! Very sassy. I think a lot of people will want to learn more about these stories!! And if you want to beat the rush to order Wendy's book here in the USA, go to the Book Depository where the book will be offered as of June 3!! Woohoo!!
Monday, October 11, 2010
Blogger Oz
I've just finished taking an amazing social media class with Kristen Lamb via Candace Havens website. I've learned a thing or two about branding myself (ouch, that could hurt) and social networking because of this class. And, ouch again, I have decided to retool my blog space to reflect the lessons.
Super ouch again because I am also going to *gulp* learn more about social media and branding myself via a book I ordered. Kristen Lamb's book WE ARE NOT ALONE: The Writer's Guide to Social Media is recommended by editors and agents to newly contracted authors.
I'm not contracted yet. But I had better learn how to use social media to sell my books and my name if I want to make it in this business. The writing world is huge, the business is changing every day, and I need to get savvy about utilizing this FREE network.
I have dabbled in it before, but never pushed too hard because social media can suck up a lot of time. Facebook is not for playing farmer games or finding treasure. Well, in a way it is. I'm farming for future readers and digging for future treasure in sales when the day after my book hits shelves finally arrives.
Yes, dear readers, the MILLS & BOON contest definitely brought the concept of self-promotion home to me. If I want to sell books, sell novels, sell my stories I have to be bold, fearless and courageous about marketing.
I'm not in Kansas anymore. And Oz is a bit frightening. There are a lot of wild characters and new lands to explore. There are wild colors, terms I don't understand, witches and wizards of writing promotion to conquer. Oh, I am nervous. But I am not going to crawl back into the back corner of the house I just flew in to get here and hide from the experience. I'm going to embrace it.
During his workshop at the Georgia Romance Writers of America Moonlight and Magnolias Conference, Michael Hauge asked each writer to examine her/himself in terms of this question: I'll do anything to be a published writer except ??? because THAT'S NOT ME.
Well, I can fill in that blank. Before that workshop, I could say, I'LL DO ANYTHING TO BE A PUBLISHED AUTHOR EXCEPT SELF-PROMOTE BECAUSE THAT'S NOT ME. It's not. Not totally. After all, that's called "drawing attention to oneself" and I have my own reasons for not wanting to do that to myself. Sure, those who know me will say I am outgoing and gregarious. But if you really spend time with me and get to know me, you'll notice that what I am actually doing is getting people to TALK ABOUT THEMSELVES. I'm PROMOTING OTHER PEOPLE to draw attention away from myself.
Good self-preservation trick, eh?
Hehe.
Now all this eye-opening self-awareness at a deeper level than I had ever examined of myself before isn't going to stop me from continuing to motivate and encourage the people I love and admire to achieve their goals as writers, mothers, sisters, brothers, fathers, husbands, students.... ah the list goes on. It's an amazing feeling to see the people around me grow and become who they have the potential to be in this great glorious life. I'm just adding one more person to the list. Me.
Don't worry if you see your blogs falling off the sidebar and little nuances of change in the blog. All will be redone and done well (hiring the darling teen to help me out with this!). I'm tweaking my blog and reworking the layout while following my own Yellow Brick Road to publication.
Super ouch again because I am also going to *gulp* learn more about social media and branding myself via a book I ordered. Kristen Lamb's book WE ARE NOT ALONE: The Writer's Guide to Social Media is recommended by editors and agents to newly contracted authors.
I'm not contracted yet. But I had better learn how to use social media to sell my books and my name if I want to make it in this business. The writing world is huge, the business is changing every day, and I need to get savvy about utilizing this FREE network.
I have dabbled in it before, but never pushed too hard because social media can suck up a lot of time. Facebook is not for playing farmer games or finding treasure. Well, in a way it is. I'm farming for future readers and digging for future treasure in sales when the day after my book hits shelves finally arrives.
Yes, dear readers, the MILLS & BOON contest definitely brought the concept of self-promotion home to me. If I want to sell books, sell novels, sell my stories I have to be bold, fearless and courageous about marketing.
I'm not in Kansas anymore. And Oz is a bit frightening. There are a lot of wild characters and new lands to explore. There are wild colors, terms I don't understand, witches and wizards of writing promotion to conquer. Oh, I am nervous. But I am not going to crawl back into the back corner of the house I just flew in to get here and hide from the experience. I'm going to embrace it.
During his workshop at the Georgia Romance Writers of America Moonlight and Magnolias Conference, Michael Hauge asked each writer to examine her/himself in terms of this question: I'll do anything to be a published writer except ??? because THAT'S NOT ME.
Well, I can fill in that blank. Before that workshop, I could say, I'LL DO ANYTHING TO BE A PUBLISHED AUTHOR EXCEPT SELF-PROMOTE BECAUSE THAT'S NOT ME. It's not. Not totally. After all, that's called "drawing attention to oneself" and I have my own reasons for not wanting to do that to myself. Sure, those who know me will say I am outgoing and gregarious. But if you really spend time with me and get to know me, you'll notice that what I am actually doing is getting people to TALK ABOUT THEMSELVES. I'm PROMOTING OTHER PEOPLE to draw attention away from myself.
Good self-preservation trick, eh?
Hehe.
Now all this eye-opening self-awareness at a deeper level than I had ever examined of myself before isn't going to stop me from continuing to motivate and encourage the people I love and admire to achieve their goals as writers, mothers, sisters, brothers, fathers, husbands, students.... ah the list goes on. It's an amazing feeling to see the people around me grow and become who they have the potential to be in this great glorious life. I'm just adding one more person to the list. Me.
Don't worry if you see your blogs falling off the sidebar and little nuances of change in the blog. All will be redone and done well (hiring the darling teen to help me out with this!). I'm tweaking my blog and reworking the layout while following my own Yellow Brick Road to publication.
Tuesday, September 28, 2010
Public Lessons
Ah, the Mills & Boon New Voices competition is over and no, I am not a finalist in the Top Ten. But I feel like a winner just the same. Why? Because I put myself out there and no one came out and said,
"Yuck, your writing stinks and you should take up knitting." Yay! I also got some fabulous feedback from non-writers who had never read my work, but who knew me as just their neighbor or their friend. For many of them, this was the first time they'd read anything I had written.
The best thing I heard? "I can't stop thinking about the characters. I can't get them out of my head."
Mission accomplished.
I learned that while my story might not be the story the M&B editors and judges wanted to move forward, that my characters resonated with my readers (at least the ones who stopped by to comment or to talk to me in person). I'm glad. I am heading in the right direction. If I can create characters that jump off the page then it is only a matter of connecting them to the story that resonates with an editor and/or an agent. Both, really.
Other lessons learned by entering this competition?
*I can put my work out there and the sky won't fall on my head.
*I can juggle multiple projects at a time.
*I can put my name out there and promote my work.
*I can be encouraging to strangers who have the same dream.
*RWA and all the local chapters I belong to are golden in their ongoing professional support.
*My critique partners and writing friends rock in their support.
*I am not alone and many of the writers who did post their work do not have my kind of support.
*I have control over three aspects of writing: writing my stories, querying, & learning craft.
*I can write and revise very fast when the pressure is on.
*I can balance the various aspects of the writing business based on my appetizer of the experience.
I am glad I entered this competition. I will continue to pursue publication through all the avenues available to me in this business. I can't control WHEN I will connect all the dots and the stars align, but I can believe in the power of my dream.
Thanks to everyone who supported me. Be sure to check out the web site for the Top Ten. Read them. Have fun. I'll post the winner here when she/he is announced!
"Yuck, your writing stinks and you should take up knitting." Yay! I also got some fabulous feedback from non-writers who had never read my work, but who knew me as just their neighbor or their friend. For many of them, this was the first time they'd read anything I had written.
The best thing I heard? "I can't stop thinking about the characters. I can't get them out of my head."
Mission accomplished.
I learned that while my story might not be the story the M&B editors and judges wanted to move forward, that my characters resonated with my readers (at least the ones who stopped by to comment or to talk to me in person). I'm glad. I am heading in the right direction. If I can create characters that jump off the page then it is only a matter of connecting them to the story that resonates with an editor and/or an agent. Both, really.
Other lessons learned by entering this competition?
*I can put my work out there and the sky won't fall on my head.
*I can juggle multiple projects at a time.
*I can put my name out there and promote my work.
*I can be encouraging to strangers who have the same dream.
*RWA and all the local chapters I belong to are golden in their ongoing professional support.
*My critique partners and writing friends rock in their support.
*I am not alone and many of the writers who did post their work do not have my kind of support.
*I have control over three aspects of writing: writing my stories, querying, & learning craft.
*I can write and revise very fast when the pressure is on.
*I can balance the various aspects of the writing business based on my appetizer of the experience.
I am glad I entered this competition. I will continue to pursue publication through all the avenues available to me in this business. I can't control WHEN I will connect all the dots and the stars align, but I can believe in the power of my dream.
Thanks to everyone who supported me. Be sure to check out the web site for the Top Ten. Read them. Have fun. I'll post the winner here when she/he is announced!
Wednesday, September 22, 2010
Before & After
Disclaimer: This blog will be LONG. But it will be worth the read. I think LOL.
Five years ago I had a weird autoimmune reaction causing extreme vertigo. Yes, I was a "dizzy blond" for a good five or six months. Before I had the reaction, I was an uber volunteer at my daughter's school, at church, and in the community. All of these activities required driving in the DC suburbs of Virginia. And they all required me to, well, stand. A "dizzy blond" should not drive in heavy traffic. And this "dizzy blond" was wiped out by about two in the afternoon.
I was officially sidelined. I had to quit all my activities and focus all my energy on accomplishing the few tasks that I could during the morning hours when the vertigo attacks didn't hit me. Oh, those were the days. Lolling around my townhouse in my pajamas, sleeping all afternoon, having an excuse for takeout on a regular basis, maids were hired (I miss them), and I was blissfully recuperating.
Ha. Anyone who knows me will tell you that I do not accept or like enforced periods of inactivity. I am a "doer." A "fixer." A "busy bee." And if I am not doing, fixing, bee-ing, I get BORED. It's a good thing social media like Facebook was foreign to me back then, otherwise I might not have done the following thing: write a book.
Yes, one day I dusted off the first pages of a novel I started, ahem, eighteen years ago. My goals were simple. Write two hours a day, five days a week, ten pages a week (actually there were twenty pages cause I was single spacing at the time *shoulder shrug*). I finished my first novel LOVE BUILDS A CHANCE (you can stop laughing now) in five months.
I sent my novel to two trusted friends who are avid romance readers. They liked it! And they encouraged me to keep writing. And they've continued to do so. I owe them a huge debt of gratitude for not deriding my dream. They encouraged me to try to get it published.
I dutifully went to the Harlequin website, read about the word count requirements for the line I wanted to target, followed their instructions for writing a synopsis (what? I have to condense this!!???) and query letter. I queried the line, Silhouette Desire, and guess what? THEY REQUESTED A FULL. Yes, my very first novel, without the benefit of any support, was requested after I sent only one query.
I didn't know about revising. I thought revising was copy editing. Ha. I was wrong. Heck, I didn't even read through the hard copy after I printed it and sent it to the editorial offices at Harlequin. The editor sent it back to me with a very nice rejection letter which also encouraged me to keep writing and to join the ROMANCE WRITERS OF AMERICA.
I joined RWA in 2005. I read the RWR Magazine every month, I started entering contests and to this day I owe those judges a big hug for their constructive criticism. They were so kind. They didn't write mean and nasty things on my document, nor did they tell me to take up knitting instead. They gave me craft suggestions, and book suggestions. I followed their advice.
I wasn't writing in a vacuum, but I was still very much alone. I bought a craft book about how to write a first draft in a month. I used it to craft my next novel, ROCK ON. I queried ROCK ON, I entered contests with it. I didn't final or win, but I did get a few amazing scores from the judges. I got a few more rejections, but I continued to write. I didn't revise it because I still didn't know that revision meant going into the GUTS of the story and ripping it apart (fast forward to my current novel in progress--I've had four plot revisions and numerous layering/polishing revisions).
Enter an amazing duo of writers whom I was fortunate to meet through my daughter's school. I was working on my third novel at this point. They began reading my contest results for the second novel. One day they invited me to join their critique group. I was thrilled. And they encouraged me to join my local writing chapter, the Washington Romance Writers of America. I was not writing in a vacuum anymore.
Fast forward: more craft lessons, more meetings, critiques, books about craft, my first retreat, the Moonlight & Magnolias GRWA Conference, two RWA National Conferences, PRO, moving and joining three new writing chapters HEART OF DIXIE, SOUTHERN MAGIC, GEORGIA ROMANCE WRITERS OF AMERICA, workshops, more craft books, meeting other writers, adding critique partners, reading and writing, writing and reading. I enter more contests. I start finaling. I learn to pitch, to hone my query, to keep sending darts out into the world. I get more requests for partial manuscripts, full manuscripts. I get more rejections. I keep writing. Now I have a "future list" of books.
A few months ago, my CP, Sharon, encouraged me to revisit my first novels and revise them for the Golden Heart. I knew LOVE BUILDS A CHANCE would present the most challenge to revise due to copious head-hopping, and tons of bad dialogue tags and comma issues (yes, I know I still have comma issues--but I have a book about them so I hope to improve--and if you think I am bad now, the early books show a marked improvement over time).
So I crept back into ROCK ON! (I know, I know. I have "title issues.") Oh, boy. About the only thing I can say about this story is that I should never write about a virgin who is rescuing her bad boy crush who rejected her feeble seduction attempt 10 years ago. Nor can I write a story about a woman who has nice parents and a perfect life. I can only stretch the bounds of "fiction" so far. Yes, cliches riddle this piece of work. But the bones of the story are good, the POV is in place, and I have learned a thing or two about writing.
Why? Because I no longer write in a vacuum. I have a community of writers to draw from today. Yes, I had to go back into the book on my own. I imported ROCK ON! into Scrivener, broke the book into scenes, cut the two villain scenes, cut the first three chapters of BACKSTORY, and got to the real beginning. And I got to work on digging through the GUTS of this story, the characters, and discovered that my virgin is no wall flower. In fact, she's not a virgin (I hate to admit it, but my gals have pasts *shoulder shrug* again). She's no pushover. And my bad boy? He's a layered, complex guy. I love him. I know he's the right man for her.
Okay, now we are at the crux of the blog. I decided to do something I have never done before due to extreme shyness (no, I'm not shy about people, but letting people read my stuff publicly? Criticize it anonymously? Rank it? Uh uh). But when I learned about the MILLS AND BOON NEW VOICES CONTEST, I had to enter. I waffled (read again the bit about the extreme shyness--I have my own vulnerabilities though I rarely show them). Then I thought, what the heck? Go for it. So I did.
And now I am going to do something I've never done before either. I'm going to share the opening paragraph of my first chapter for ROCK ON! before I revised it:
Here is the original story's first paragraph after cutting the first three chapters:
Here are the revised first paragraphs:
I don't know if I will win the Mills & Boon contest. It would be nice, not going to lie. But I don't have to win it to know that I am a better writer today than I was when I first wrote LOVE BUILDS A CHANCE (again, you can stop laughing now). But if you want to read the rest of my chapter (and my CP Gwen's chapter, too, SLOW BURN. Go Gwen!) click the link provided on this page, read the entries, rank them. Please be kind in your comments. And have fun.
I'm still a BEFORE working toward her AFTER. I will never be finished learning about this glorious obsession. ROCK ON!
Five years ago I had a weird autoimmune reaction causing extreme vertigo. Yes, I was a "dizzy blond" for a good five or six months. Before I had the reaction, I was an uber volunteer at my daughter's school, at church, and in the community. All of these activities required driving in the DC suburbs of Virginia. And they all required me to, well, stand. A "dizzy blond" should not drive in heavy traffic. And this "dizzy blond" was wiped out by about two in the afternoon.
I was officially sidelined. I had to quit all my activities and focus all my energy on accomplishing the few tasks that I could during the morning hours when the vertigo attacks didn't hit me. Oh, those were the days. Lolling around my townhouse in my pajamas, sleeping all afternoon, having an excuse for takeout on a regular basis, maids were hired (I miss them), and I was blissfully recuperating.
Ha. Anyone who knows me will tell you that I do not accept or like enforced periods of inactivity. I am a "doer." A "fixer." A "busy bee." And if I am not doing, fixing, bee-ing, I get BORED. It's a good thing social media like Facebook was foreign to me back then, otherwise I might not have done the following thing: write a book.
Yes, one day I dusted off the first pages of a novel I started, ahem, eighteen years ago. My goals were simple. Write two hours a day, five days a week, ten pages a week (actually there were twenty pages cause I was single spacing at the time *shoulder shrug*). I finished my first novel LOVE BUILDS A CHANCE (you can stop laughing now) in five months.
I sent my novel to two trusted friends who are avid romance readers. They liked it! And they encouraged me to keep writing. And they've continued to do so. I owe them a huge debt of gratitude for not deriding my dream. They encouraged me to try to get it published.
I dutifully went to the Harlequin website, read about the word count requirements for the line I wanted to target, followed their instructions for writing a synopsis (what? I have to condense this!!???) and query letter. I queried the line, Silhouette Desire, and guess what? THEY REQUESTED A FULL. Yes, my very first novel, without the benefit of any support, was requested after I sent only one query.
I didn't know about revising. I thought revising was copy editing. Ha. I was wrong. Heck, I didn't even read through the hard copy after I printed it and sent it to the editorial offices at Harlequin. The editor sent it back to me with a very nice rejection letter which also encouraged me to keep writing and to join the ROMANCE WRITERS OF AMERICA.
I joined RWA in 2005. I read the RWR Magazine every month, I started entering contests and to this day I owe those judges a big hug for their constructive criticism. They were so kind. They didn't write mean and nasty things on my document, nor did they tell me to take up knitting instead. They gave me craft suggestions, and book suggestions. I followed their advice.
I wasn't writing in a vacuum, but I was still very much alone. I bought a craft book about how to write a first draft in a month. I used it to craft my next novel, ROCK ON. I queried ROCK ON, I entered contests with it. I didn't final or win, but I did get a few amazing scores from the judges. I got a few more rejections, but I continued to write. I didn't revise it because I still didn't know that revision meant going into the GUTS of the story and ripping it apart (fast forward to my current novel in progress--I've had four plot revisions and numerous layering/polishing revisions).
Enter an amazing duo of writers whom I was fortunate to meet through my daughter's school. I was working on my third novel at this point. They began reading my contest results for the second novel. One day they invited me to join their critique group. I was thrilled. And they encouraged me to join my local writing chapter, the Washington Romance Writers of America. I was not writing in a vacuum anymore.
Fast forward: more craft lessons, more meetings, critiques, books about craft, my first retreat, the Moonlight & Magnolias GRWA Conference, two RWA National Conferences, PRO, moving and joining three new writing chapters HEART OF DIXIE, SOUTHERN MAGIC, GEORGIA ROMANCE WRITERS OF AMERICA, workshops, more craft books, meeting other writers, adding critique partners, reading and writing, writing and reading. I enter more contests. I start finaling. I learn to pitch, to hone my query, to keep sending darts out into the world. I get more requests for partial manuscripts, full manuscripts. I get more rejections. I keep writing. Now I have a "future list" of books.
A few months ago, my CP, Sharon, encouraged me to revisit my first novels and revise them for the Golden Heart. I knew LOVE BUILDS A CHANCE would present the most challenge to revise due to copious head-hopping, and tons of bad dialogue tags and comma issues (yes, I know I still have comma issues--but I have a book about them so I hope to improve--and if you think I am bad now, the early books show a marked improvement over time).
So I crept back into ROCK ON! (I know, I know. I have "title issues.") Oh, boy. About the only thing I can say about this story is that I should never write about a virgin who is rescuing her bad boy crush who rejected her feeble seduction attempt 10 years ago. Nor can I write a story about a woman who has nice parents and a perfect life. I can only stretch the bounds of "fiction" so far. Yes, cliches riddle this piece of work. But the bones of the story are good, the POV is in place, and I have learned a thing or two about writing.
Why? Because I no longer write in a vacuum. I have a community of writers to draw from today. Yes, I had to go back into the book on my own. I imported ROCK ON! into Scrivener, broke the book into scenes, cut the two villain scenes, cut the first three chapters of BACKSTORY, and got to the real beginning. And I got to work on digging through the GUTS of this story, the characters, and discovered that my virgin is no wall flower. In fact, she's not a virgin (I hate to admit it, but my gals have pasts *shoulder shrug* again). She's no pushover. And my bad boy? He's a layered, complex guy. I love him. I know he's the right man for her.
Okay, now we are at the crux of the blog. I decided to do something I have never done before due to extreme shyness (no, I'm not shy about people, but letting people read my stuff publicly? Criticize it anonymously? Rank it? Uh uh). But when I learned about the MILLS AND BOON NEW VOICES CONTEST, I had to enter. I waffled (read again the bit about the extreme shyness--I have my own vulnerabilities though I rarely show them). Then I thought, what the heck? Go for it. So I did.
And now I am going to do something I've never done before either. I'm going to share the opening paragraph of my first chapter for ROCK ON! before I revised it:
The last sound engineer left the building as Blade Edwards continued to wrap up the track editing for Rising Velocity’s latest album. His manager Frank sat behind him, keeping him company as his fingers danced with studied expertise across the console’s buttons.
Kayla stood in front of Blade’s door, trying to gather her courage to knock on the dark cherry wood that lay like a barricade between her and quite possibly the most stubborn man she’d ever encountered. Brushing her fingers through her blond hair, Kayla tartly reminded herself that she had no one to blame for being in this pickle but her.
I know. I know. Blade? Right. Changed his name to DRAKE SHERIDAN. And much of what was written after Kayla's first paragraph was, um, introspection. I also changed the title to HER PRISONER OF LOVE.
Kayla Jackson stood in front of the dark mahogany door and rapped three times. Hard. No answer. And no surprise. Drake Sheridan, the lead singer of Rising Velocity, was officially her problem as of Monday, February seventh. She had only herself to blame for this ridiculous pickle. But if she pulled off a miracle and reformed the Bad Boy of Rock and Roll, she’d earn enough money to keep her program for delinquent teens up and running.
She stared at the wooden barricade standing between her and the most stubborn client she’d ever encountered in all her years of social work. “Open this door now, or I’m rescinding your home arrest and sending your sorry butt back to jail.”
She rubbed her hands on her jeans and drew a deep breath. She’d always admired Drake for his talent. And she’d be the first to admit she’d swooned a time or two when he’d performed live. But his sexual exploits with women, and his wild partying days had never impressed her. Punching out a reporter had done little to raise her estimation.
She didn’t need to respect him. She only had to redeem him and gather her paycheck.
Kayla pounded harder. “I know you’re in there.” He couldn’t leave the grounds without triggering his security anklet. And boy had he kicked up a fight when they’d clipped it on him at the courthouse. One that would’ve sent a less successful and influential man back to jail. A man like her brother.
Introducing the Bad Boy of Rock and Roll
Once she’d regained her wits, she stared at her assigned case. He barred the doorframe and hadn’t bothered to cover his broad chest. Even disheveled, he radiated strength, sex, and soul. Her stomach filled with nervous little flutters as if monarch butterflies had invaded her system. “I’d love to leave you alone just to avoid the stench inside.”
He wiped his eyes, a bit bloodshot but still arresting with their amber color, and shook his dark curls from his forehead. “Then do us both a favor and go.”
“Park your tough rocker routine at the curb.” Grateful for her four-inch heels and the height they gave her, she wiggled around his imposing muscular six-foot plus body. “Good Lord, it looks like a bomb went off in here.”
Here is the full blurb of my revised story HER PRISONER OF LOVE:
Bad Boy of Rock and Roll Drake Sheridan is in a court ordered time out, but his house arrest heats up when he meets the key to his release, Kayla Jackson. And he decides to turn his beautiful, control-freak warden into his greatest fan. Social worker Kayla Jackson is out of choices. She must help Drake reform his ways if she wants to secure funding for her theater program supporting juvenile delinquents. Too bad Drake is the sexiest man she’s ever met, and he’s determined to prove it. Kayla maintains a professional distance until Drake’s empathy for her young charges draws them closer. And when the mask of Kayla’s no-nonsense, tough girl attitude slips, her vulnerable, compassionate soul takes Drake’s heart captive. Drake is finally ready to give up the fame, but Kayla’s secret arrangement with his manager may drive him back to his wild ways. Then Kayla may not only lose Drake, as well as her theater program, she’ll lose her heart.
I'm sharing this with you because I want other writers out there, the ones who are starting their journey, to know that if they build a community of writers and are willing to apply what they learn to the best of their ability, they will become better writers. They will get closer to achieving their dreams.
I don't know if I will win the Mills & Boon contest. It would be nice, not going to lie. But I don't have to win it to know that I am a better writer today than I was when I first wrote LOVE BUILDS A CHANCE (again, you can stop laughing now). But if you want to read the rest of my chapter (and my CP Gwen's chapter, too, SLOW BURN. Go Gwen!) click the link provided on this page, read the entries, rank them. Please be kind in your comments. And have fun.
I'm still a BEFORE working toward her AFTER. I will never be finished learning about this glorious obsession. ROCK ON!
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