Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Sunday, February 10, 2013

LINDA HOWARD AWARD OF EXCELLENCE: DEADLINES, EDITORS, INTERVIEWS OH MY


The 2013 LINDA HOWARD AWARD OF EXCELLENCE
OPEN for Contest Entries.

No Synopsis? No Problem! 
Enter first 25 manuscript pages in the Linda Howard Award of Excellence Contest
No Synopsis required in first round of judging. Finalists given a week to revise entries and add synopsis before sending to final judges.
First Round Judges are PRO, published, unpublished & trained.
SIGN UP TO JUDGE IN ANOTHER CATEGORY AND SAVE $5!!!!

FIND OUT WHAT THE FINAL JUDGES ARE LOOKING FOR IN ROMANCE MAGICIANS BLOG STARTING THIS WEEK:

Tuesday, February 12: Alethea Spiridon Hopson, Editor, ENTANGLED for Contemporary Series.

Thursday, February 14: Chelsey Emmelhainz, Editor, HarperCollins/AVON IMPULSE for Historical Romance.

Tuesday, February 19: Beth Miller, Agent, Writers House for THE WRITE MAGIC/Southern Magic Category

Thursday, February 21: Latoya Smith, Editor, Grand Central Publishing for Paranormal/Urban Fantasy Category.

Teasers on this blog from the interviews on February 11/13/18/20 along with a special link to an interview with Christine Glover, 2012 Linda Howard Award of Excellence Triple Finalist and Winner in Contemporary Series category. 


DEADLINE FOR ENTRY: February 22, 2013 
Finalists Announced: Friday, May 3, 2013
Deadline for entry and synopsis to be returned to coordinators: Friday, May 10, 2013

FINALISTS Announced at a restaurant TBD on July 16, 2013 a day before the RWA National Conference. Pitch with confidence all who make it to the finalist's circles.

Categories:

HISTORICAL
Final Judge: Chelsey Emmelhainz, Editor, Harper Collins/AVON IMPULSE

PARANORMAL/URBAN FANTASY
Final Judge: Latoya Smith, Editor, Grand Central Publishing

CONTEMPORARY SERIES ROMANCE
Final Judge: Alethea Spiridon Hopson, Editor, ENTANGLED Publishing

SINGLE TITLE
Final Judge: Eleni Caminis, Editor, MONTLAKE Publishing

And for Southern Magic Members who Final and/or receive an average score of 90 out of 100 in their respective categories:

THE WRITE MAGIC
Final Judge: Beth Miller, Agent, WRITERS HOUSE

DON'T DELAY. THERE WILL BE NO EXTENSION OF DEADLINES. ENTER TODAY!!!!

For score sheet, registration information, and more information visit the Southern Magic Website at http://www.southernmagic.org/














Monday, January 3, 2011

Break out the Bubbly and the Dark Chocolate: Celebrating Vicky Dreiling's Debut Novel HOW TO MARRY A DUKE






I'm very happy and excited to open up a bottle of my best champagne for my friend and writer Vicky Dreiling. She is an inspiration to me as a writer, and friend. We're celebrating her debut novel, HOW TO MARRY A DUKE which releases today! 
Pop! Pouring bubbly and breaking out the dark chocolate.


How did you end up becoming a writer?
I’ll skip the girlhood diaries and the journalism major in college. J I actually bought my first romance by accident; in other words, I didn’t know it was a romance until I got it home. The book that hooked me on romance was Judith McNaught’s ALMOST HEAVEN. One day I decided to write one for grins. I might never have gotten serious if not for another chance occurrence. I confessed my secret hobby to a friend who just happened to have seen a notice for a romance writing class. On a whim, I signed up.
I love Judith McNaught. Her stories always made me cry. No wonder you enjoy writing regencies! Are you a plotter or do you follow the muse?
It depends on where I’m at in the process of creating the book. The muse suggests a subconscious process to me. Plot is a conscious process. Premise is essentially a concise description of the overall plot of a novel. I knew the premise for HOW TO MARRY A DUKE before I wrote a single word. The idea came to me as I watched The Bachelor TV show.
Once I know the premise, I focus on character, and this is the stage in which I rely on the subconscious or the muse. I have some top-of-mind ideas, but I do not trust them. Those initial ideas are too surface. They lack the emotional complexity necessary to create flawed, lovable, and unforgettable characters. It’s not a process I can control well, but I can bring it forth by thinking about the characters right before going to bed. Then I’ll wake up the next morning with a key scene playing DVD-style in my head. These key scenes contain revelations about the characters’ pasts. During the actual writing, the emotional complexity continues to develop primarily on a subconscious level for me as well. As a result, I’m often surprised by what I discover about the characters while writing.
However, I am a big fan of Vogler’s THE WRITER’S JOURNEY and keep those stages in the back of my mind while writing the book. I definitely believe learning craft is essential.
            I just bought Vogler’s book and can’t wait to read it. He’s a master. How do you relax after a writing day?
I have two fulltime careers. I don’t relax; I collapse in bed. J  Seriously, I take little breaks and catch up with friends on Twitter, Facebook, and email. One of the hardest things for me is that I’m an extravert and lose energy if I don’t get people contact.
What do you read? What are your favorite genres? Who are your favorite authors?
I primarily read historical romances, although I enjoy Young Adult as well.  My favorite authors are Loretta Chase, Sophie Jordan, Sarah MacLean, Mary Balogh, and Janet Mullany – among many, many others. J



What is your current project? And any new releases?


I just sent book two in my three-book contract to my editor. Revisions are next on the agenda. Once those are completed and accepted, I’ll start the partial for book three. HOW TO SEDUCE A SCOUNDREL will be out in July 2011 and features two characters from HOW TO MARRY A DUKE: Hawk and Julianne.
Where do you get your ideas for your stories?  
The story ideas for all three books in my current contract involve spoofs on modern day dating/reality shows.
Oh, now that sounds interesting. I can’t wait to read your debut novel. How long were you trying to get published before you got the “call?”
I wrote my first Regency historical over a decade ago. Surprisingly, that first book did extremely well in major contests and was a Golden Heart finalist. I got a lot of agent and editor requests. I did massive revisions without promise of contract for an editor, but it all happened too fast. I was trying to learn the business and craft at the same time. It was overwhelming. The rejection broke my heart, but things happen for a reason. My personal life underwent big changes, and I ended up returning to university to finish my degree. I spent several years ramping up a marketing career. Once my kids got older, I returned to writing and sold the second book I wrote, HOW TO MARRY A DUKE.
I’m glad you didn’t give up your dream, Vicky. How did you celebrate the new book contract?
I met my friend Karen for lunch and margaritas. That night I attended a friend’s book signing, and afterward, we went back to the same Mexican restaurant (I wasn’t driving I promise!). I’ll always associate Chambord swirl margaritas with my first sale. J
Was the “call” an actual phone conversation or an email or a snail mail?  


My agent notified me on a Thursday afternoon that two publishers had made offers on my book. I went to bed knowing I would sell a book the next day. Imagine trying to sleep after getting that news. J The next day, my phone rang every thirty minutes or so as my agent reported the latest offer. By noon CDT, I’d sold my first book in a three-book deal to Grand Central.
I know I wouldn't have slept a wink. Wow! What an exciting night. Now that you're published, what advice would you give aspiring writers?
There is a magnet on my refrigerator with a quote from Winston Churchill: Never, Never, Never Give Up.
In the face of rejection, and not giving up, what encouragement can you give writers who must face rejection and keep writing?   
Fear is your worst enemy. Kick it to the curb, and do what you think you cannot do.
Do what you think you cannot do! Wow, I’m going to put that on my inspiration wall. Great advice. You obviously know how to battle back fear so what is the most difficult part about writing for you?
The first sentence. J  
Giggle. What is the most surprising thing you discovered after you received the call?
I was a bit intimidated before getting my revision letter, but I got really excited as I read the changes. Love my editor. She's brilliant! xoxoxo

Vicky, your new book sounds delicious. And check out the gorgeous book cover! Amazing. I know I want to order HOW TO MARRY A DUKE today at Amazon. And one of our lucky commentators will win a free copy of this fabulous book. Yay!! Popping more champagne to celebrate!


Monday, November 15, 2010

Break Out the Bubbly & Dark Chocolate--Celebrating Amy Atwell's Debut Novel LYING EYES!

I'm very happy and excited to open up a bottle of my best champagne for my fearless GIAM (Goal in a Month) leader Amy Atwell. Amy is an inspiration to me as a mentor, writer, and friend. We're celebrating her debut novel, Lying Eyes, which releases today! 
Pop! Pouring bubbly and breaking out the dark chocolate.


Hi Amy, welcome to the veranda. 
Thanks for inviting me to join you and meet your readers, Christine.  The verandah, by the way, is lovely.
How did you end up becoming a writer?
.
A rather circuitous path. I wrote throughout my childhood and adolescence.  Poems, songs, short stories.  I was fascinated with dialogue and comedic timing on television and would scribble notes while I watched shows.  In high school, I joined the drama club—and no, it was not nearly as cool as Glee, although it was a lot of fun.  But that led to studying theater and Shakespeare and then years of working in regional and community theaters. Play scripts and the stories in them were my love, and one day I realized that what I really wanted to do was write.  I quit the theater and got a job and started writing my story ideas in my free time. Back then, it hadn’t occurred to me to try to make a career of it.


What is your favorite genre to write?
No fair!  I love all the genres I write.  I started writing Regency period historicals because that’s what I read for years and years. Then I had a crazy notion to write a romance about the theater scene in New York.  Then I moved to Chicago, so I wrote about Chicago. Then even though I know next to nothing about medievals, I wrote a medieval romantic suspense.  And then Cosmo knocked on my door, and I wrote Lying Eyes.
 
I'm intrigued already. Can't wait to meet Cosmo. Are you a plotter or do you follow the muse?
I see characters and scenes in my head.  Maybe because of all the years in theater, I hear dialogue very clearly.  So, I generally let the muse run free for much of the first draft.  Then I roll up my sleeves for some plotting analysis.  Lying Eyes was different because I had editors waiting to see that story.  Most of the material in that story—except the opening 30-40 pages—is close to first draft.  I plotted a few chapters ahead as I wrote and prayed my critique partners would help me clean up the mess if I derailed the story.  They kept telling me it was fine.  My editor agreed.
How do you relax after a writing day?
Don’t laugh. I run an online writing community, and I have a lot of little tasks that make me feel like I accomplished something. I like to check things off lists, so these little tasks make me feel successful and relaxed.  Oh, and I can do most of them over a cup of coffee (morning) or wine (night).  I’ve also been known to turn off the computer AND the phone for Mad Men, Dr. Who, The Office and 30 Rock.

As a member of your community, I can say it's a great way to unwind. The *cyber support* is balm to a writer's soul. 


What do you read? What are your favorite genres? And your favorite authors?
I read anything that has a story that captures my famous.  I love romance and women’s fiction, but I also enjoy a good mystery or thriller. And I find I’m peeking at some YA stories to see what all the hype is about.  Favorite authors?  Jenny Crusie, Madeline Hunter, Jane Austen, Jean Auel, Tom Clancy, Dorothy L. Sayers, Dick Francis, Georgette Heyer, Elswyth Thane (I’m dating myself with those last five).  A new author who stunned me with her work is Therese Walsh.
What is your current project? What can we look forward to reading next?
I’m currently working on the sequel to Lying Eyes. This one is Cheating Hearts and features another of Cosmo’s daughters.  Of course, I also have a mainstream historical set during the Wars of the Roses calling me. And then there’s this pesky pair of characters out in San Francisco who have the beginnings of a great suspense story I’m jotting down. 
You have a lot of ideas and stories floating in your head. Fabulous! I can't wait to meet Cosmo's next daughter. What is the most difficult part about writing for you? 
Oddly enough, the hardest part for me is focusing and getting started on one story.  Once I’m into a story, I’m all there.  But if I’m multi-tasking life or additional stories, it can be a bear to get me to sit down and write.  (And I can name a dozen people who will read this and agree.)


I completely understand how multi-tasking zaps focus. 


Where do you get your ideas for your stories?
Everywhere.  Honestly, I trip over ideas.  I have a lengthy list of them on my computer.  For Lying Eyes, the title came when I was listening to Eagles’ song on the radio one day.  Liked the title, realized that “lying” would be an important factor. More than that, I wanted everything in the story to be a lie of some form or another.  That’s when Cosmo Fortune, my heroine’s father, popped up and announced he was a magician.  A master of illusion.  Then I made my heroine not just a jeweler but a costume jeweler. I just keep piecing things together that work. What doesn’t work, I toss.  

Cutting ideas is part of the creative process. *sipping my bubbly* Ah, but it is necessary for writers to learn. 


How long were you trying to get published before you got the “call?”
Ten years, give or take.  I took a couple writing breaks.  I had a big corporate job transfer that stalled my writing for over a year. Then my mother died suddenly in 2005. About nine months after her death I stopped writing for nearly 18 months. I stayed connected with my writing friends through WritingGIAM and when I returned to writing, I came back determined.  Still, it took nearly two years to sell Lying Eyes. When we first marketed it, Carina Press didn’t yet exist. In publishing, part of the equation is timing.

Amy, I am sorry you lost your mother. *hugs* But I'm very glad you returned to your writing with the determination to get published because now we get to read your stories. 


What advice would you give aspiring writers?
Write. Write what’s in your heart. Study. Study the market, but don’t it let completely change those stories of your heart. The market is always changing. Your stories are you and no one but you can tell them. Share them with the world.
Oh, and find a support network. It may be local, it may be online. But connect with other writers. Writing is a very solitary endeavor, but that doesn’t mean you have to go it alone.  I would have given up writing if it weren’t for GIAM.
What encouragement can you give writers who face rejection?
Let me be your poster child!  I swear, I’ve been rejected by top editors and agents. I’ve received painful comments about my work from industry professionals and contest judges.  If you’re familiar with Romance Writers of America’s Golden Heart® contest, I had one entry that received a “9” (their highest scores) and a “1” (their lowest score). 
Reading is Subjective.  Repeat that. Not every reader will love your work, but in publishing it often takes only one person to get behind you to turn the tide.  A rejection is nothing more than a single person’s opinion of a specific submission on a given day. 
Thanks so much for having me, Christine!  I’d love to offer up a digital copy of Lying Eyes to one of your readers. 


I'm so glad you joined me on the veranda. Thank you for offering a digital copy of Lying Eyes to one of my readers. I can't wait to see who gets their name pulled from this week! Congratulations on your release!!  

Amy Atwell worked in professional theater for 15 years before turning from the stage to the page to write fiction. She now gives her imagination free rein in both contemporary and historical stories that combine adventure and romance. An Ohio native, Amy has lived all across the country and now resides on a barrier island in Florida with her husband and two Russian Blues. Find Amy online at her website, What’s the Story? blog, Facebook, Twitter and GoodReads.

Lying Eyes is available from Carina Press, Amazon, Barnes & Noble and other online booksellers.

Tuesday, November 2, 2010

Break Out the Bubbly & Dark Chocolate--Celebrating Kieran Kramer's Debut Novel

I'm so excited to introduce you to my friend and fellow writer, Kieran Kramer. I  met Kieran through my critique partner Sharon. Lucky for me they're related through marriage. Now I get to celebrate Kieran's debut novel's release today, November 2, 2010. When Harry Met Molly.  This book is part of the Impossible Bachelors series. I've invited my friend to share her journey with us and celebrate the release. 

Pop! Ah, champagne flowing into glass right now. And here's a bit of dark chocolate to go with my bubbly. And best of all, one of my commenters will win a copy of Kieran's book! Woohoo!!

Me:  How did you end up becoming a writer?

Kieran: I've been writing since I was a kid. I think it all started because I loved reading. I wanted to participate in that amazing world of words and stories.

Me: What is your favorite genre to write?

Kieran: I LOVE writing historicals, so I'd have to say that's my favorite genre!  But I also love funny contemporary stuff, so I could see myself writing that someday, too. Honestly, it's not the genre that matters to me so much as being able to express myself, to be able to use my voice to tell a story.

Me: I really love your philosophy about writing as a way to express yourself.  Tell me about your process. Are you a plotter or do you follow the muse?

Kieran: I'm a combination, but I lean highly toward following the muse. I always start a story from one image that comes to me: an impression, a fleeting dream…. I won't be able to get that idea out of my head, and so I build a whole story around it. But until I read craft books, I wasn't that good at making the story as cohesive as it could be. Now I know structure, and that really helps me out when I find myself in a dark plotting corner.  Favorite craft books: everything by Blake Snyder, Syd Field, and Michael Hauge; Dwight Swain, Techniques of the Selling Writer; and Christopher Vogler, The Writer's Journey.

Me: First another sip of champagne. Ah, and a nibble of chocolate. I like to hear that I’m not the only writer who had to read a lot of craft books and take a lot of workshops to learn “how” to tell my story. I just ordered The Writer’s Journey and I can’t wait until it arrives. I’ve got your book When Harry Met Molly pre-ordered for my fun reading. Reading is what I like do when I relax and unwind. What about you? How do you relax after a writing day?

Kieran: I watch a reality TV show with my daughter, something really silly and fun like Project Runway or the Housewives series, or I might watch Modern Family or The Office with the whole family. Sometimes I'll take an evening walk with my husband or go visit my wonderful neighbors. I don't do anything spectacular. But one way I pamper myself every day is to keep a pile of excellent reading material on my bedside table and lying around the house. I'm always reading at least two novels at a time and some magazines.

Me: What do you read? What are your favorite genres? Who are your favorite authors?

Kieran: I read everything, but I focus more on novels than non-fiction. My favorite genres to read in? Of course, romance is my all-time favorite, both contemporaries and historicals. LaVyrle Spencer is my favorite romance author, but I adore so many others as well. We should be proud of how many spectacular romance authors are on the shelves right now!
Other favorite books and authors:  A Tree Grows in Brooklyn, by Betty Smith; I Capture the Castle, by Dodie Smith; To Kill a Mockingbird, by Harper Lee; and Mistress of Mellyn, by Victoria Holt. I also love Mark Twain, Charles Dickens, Laura Ingalls Wilder, James Herriot, and too many others for me to be able to name them all. 

Me: Your bookshelf and mine sound alike. . Now I’m curious about your next project. What are you working on now?

Kieran:  I'm writing Book 4 in my Impossible Bachelors series.  The title is not set yet—we're still mulling it over. I love a good title, though. It gets me psyched to write the book.

Me: I love your titles for the books. I can see why they inspire you. Today we’re celebrating your debut release When Harry Met Molly. How soon will we see your next book in the Impossible Bachelors series?

Kieran: Dukes to the Left of Me, Princes to the Right is coming out Nov. 30th!  And Cloudy with a Chance of Marriage comes out next April.

Me: Awesome. I don’t have to wait too long for my next Kieran Kramer book. This debut is very exciting, but we all know getting published is hard. How long were you trying to get published before you got the call?

Kieran: I wrote my first book fifteen years ago. It was a 60,000-word Regency. That went nowhere—I sent it out to one publisher, and when it got rejected, I put it away (I had a dog's POV in it! And I didn't know what head hopping, conflict, or pacing were). I also didn't know I should keep submitting. I assumed that if one person said they didn't want it, it was no good.  Over the next decade, I got smarter: I joined RWA, and when the Romance Writers Report came every month in the mail, I'd read it cover to cover, which helped me keep the dream alive (although I didn't seek out a local RWA chapter, and I should have).

The bald truth is, I didn't focus on my writing dream as much as a person who wants to get into the business should.  I started a lot of manuscripts and didn't get past Chapter 3 in most of them. The truth was, for me writing was more a hobby and a form of stress relief, a haven I could go to when I needed to replenish me. There's nothing wrong with that, either. I learned a lot in those years!

But time marched on. I was super busy with my kids, and we moved a lot, and life just happened. It wasn’t until my husband got laid off from work about five or six years ago that I got the notion that I had the talent it took to make money with my writing. I began to go to the National RWA conference. That catapulted me to the next level of believing. I saw that this was the place where I would learn the ropes, and I would take full advantage of it. I started reading craft books and writing full or almost full manuscripts rather than snippets. All told, I wrote about four manuscripts over those five years. And then my husband went to Afghanistan and suddenly—age 40 was behind me. That was scary. I didn't want to have any regrets about not pursuing my dreams! I wanted my kids to see that we should all have dreams and go for them. Everything clicked. I felt it the time was right to go all out, full speed ahead, and do this thing. Simply put, I gave myself permission to put my personal passion for writing at the top of my list of priorities. That's when I sold When Harry Met Molly.

Me: Wow, your story is amazing. No regrets and wanting to teach our children to go for their dreams are the main reasons I’m pursuing the dream and waiting for the “call” myself. I know I've got champagne chilling in my fridge for thad day. So tell me, what was it like when you finally got the “call?” How did you celebrate?

Kieran: I'm a very simple person, so I didn't do anything immediately but call my distant family and share lots of hugs from nearby family and friends.  The big celebration came when we got to go to Disney World for the first time. My kids had never been, and two of them were teens. One was ten.  We had such a great time!

Me: I think going to Disney World is a fabulous way to celebrate your success and to share the victory with your family. I might have to do that when I get “the call.” But there’s one thing I’ve always wanted to ask, is it really a “call?”

Kieran: It was a phone call, and I was driving on a very narrow country road when it came! I told my agent I had to hang up or I'd drive off into a corn field!! I was on my way to jury duty, actually. It was fabulous because in the courtroom, we were told to stand and announce our profession, and I got to say, "Hi, I'm Kieran Kramer and I'm a full-time writer." That was cool!  I just had jury duty this week (again, but a different court) and I've since learned that a lot of published people say, "Author" when asked to describe their profession. But I still prefer to say writer—because paid or not, I am a writer, first and foremost. It's who I am, whereas the word "author" describes my output combined with the efforts of a marvelous publishing team. As proud as I am of being an author, I want to stay focused on the core of who I am, which is simply—writer. That might be splitting hairs for some people, but the distinction matters to me.

Me: I love how you separate the idea of being an author from being a writer. This gives authenticity to those of us who are not published yet. What about aspiring writers? What advice would you give to them?

Kieran: To believe in what you're writing. If you don't believe, it won't be any good. Always turn inward, every day, and say, "Why am I doing this?" Ponder it for a moment. Another question you could ask is, "What is it I really want to say?" It's important to start at the foundation and figure out why you write.  Until you do that, you won't hone in on the passion deep inside you that gives you the impetus to write and infuses life into your writing.  In a nutshell, know your worldview and always find your passion.

Me: Excellent advice. What encouragement can you give writers who face rejection?

Kieran: First of all, it's often not you, and many times it's not your manuscript. Sometimes it's simply that an agent or editor is looking for something different. The same way that we all buy winter coats but choose different styles, colors, and fabrics, editors and agents have their own personal preferences. You could have a perfectly lovely manuscript, but it simply doesn't appeal to that editor or agent's tastes. Too many writers don't seem to be aware of this and take rejection as a sign that their writing is not good.

Keep submitting until you locate that agent or editor who looks at it and goes, "Wow!" You want someone to be excited about your work.

If you're submitting for a long time, and every editor and agent offers the same reason for  rejecting it, then maybe you should do something different. But you have to decide what "a long time" is. That's personal. We all develop at different rates in everything we do, including writing. If you want to give yourself just one year—or five or ten—before you change your patterns, that's fine. No one should tell you how long you should give yourself. Some people like to tweak things constantly so they have a faster learning curve. It suits their personalities. But others like their voice to develop like a fine wine. It's all in what YOU want to do.

But set yourself those goals. Give yourself that deadline. Be aware of what you're doing. Don't just keep floating without a plan.

Me: You’ve faced rejection, learned to set goals, and worked through years of learning how to craft a story. What is the most difficult thing about writing for you today?

Kieran: Trying to plot out the story ahead of time. I simply can't get more than the basic turning points on my storyboard or in a synopsis, and even then, they change. For me, the story evolves as I go.

Me: What is the most surprising thing you discovered after you received the "call"?

Kieran: That life doesn't really change that much. But I like it that way and prepared myself for it to be that way, actually. I intentionally went into this adventure telling myself that I already have everything I need, and I do. I have a loving family, true friends, a roof over my head, and food in my belly. I'm extremely blessed.

I think it's very important, no matter where you are in life, to remember what your essence is versus your identity (thanks, Michael Hauge, for your Essence vs. Identity talk). I have a lot of identities, and I love my new identity as an author. But the most important thing of all is that underneath all my roles, I want to be a good person.  If I'm remembered simply as that, I'll be happy.

Thanks for having me today, Christine! I love your blog, and I think it's because you are a very passionate person. Your worldview definitely comes through in your writing. Your cup is half-full instead of half-empty, and that's an awesome way to be.

Me: Thanks for your kind words, Kieran. I’m so glad you stopped in for some champagne and dark chocolate to celebrate today’s release of your debut novel When Harry Met Molly. 




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Thursday, April 29, 2010

Promoting RWA PRO Writers

I've been a PRO writer with the RWA for over a year now. I could have applied for this status about four years ago, but I didn't go for it till 2009. I'm glad I did because it opened up a world of opportunities for me as a writer.

Some of you might be wondering what the heck a PRO is so I'll give you a quick rundown.

*PRO writers with the RWA have finished at least one manuscript and queried the manuscript to accredited agents/editors of publishing house only to be rejected. After they are rejected, they fill out an application with the RWA (found on the website), send in proof of their completed manuscript and a copy of their rejection, and they are approved PRO by the RWA.

*When a writer in the RWA becomes a PRO, she/he is privy to all kinds of business information because they want to do more than write, they want to and are seeking publication. The RWA PRO organization has classes, Yahoo loop, a special retreat at the conference where editors and agents share more about the industry, and access to PRO materials through the RWA including a newsletter.

*A PRO writer's greatest ambition is to progress from PRO to PAN because a writer who becomes a PAN is a PUBLISHED writer. Woohoo!

*Becoming PRO doesn't mean a writer will suddenly become more eligible to become published, but if the writer utilizes the information and continues to actively learn and grow as a writer within this umbrella of writers, she/he has a better chance of becoming PAN.

*PRO writers can be PROs for years despite their best efforts or they can become PAN very quickly. The business is capricious so there are no guarantees.

If you are a PRO, what are the perks and pitfalls of being a PRO?

If you are not a PRO, why not?

If you have a finished manuscript, have you tried to query and sell it? If not, why not?

If you have tried to sell a manuscript to an accredited editor/agent, have you taken the next step in your career and applied for PRO? If you haven't, I highly recommend you go for it!

I'll be focusing a lot on PRO writing for a few days because I want to take this to another level. I'm considering a Q&A blog to recur where I will interview my fellow PRO writers and give them an opportunity to share their work on my blog. I feel the more traffic we can generate toward our writing, the better.

Stay tuned!