Showing posts with label creative avoidance. Show all posts
Showing posts with label creative avoidance. Show all posts

Wednesday, August 19, 2009

A List of the Third Manuscript's Frequently Used Words

I am combing through the MS with a nit comb, and attempting to remove or replace all the repetitive words and phrases. I spent the majority of Tuesday working on eliminating the word "it."

"It" was NOT fun.

I am also desperately trying to add about 500 words to the MS (the irony does not escape me). Editing "it" out of the MS did not help. Nope. Not one bit.

Did anyone every notice that "edit" ends in "it?" This is how ugly the process feels at the moment.

However, I managed to toss most of the dastardly "it" words into the editing garbage pail. Now I'm onto other words:

The List (Drum Roll Please)

*there
*knew/know
*smell
*taste (the book is about a cake decorator -- I'm in trouble!)
*look(ed)
*step(ped)
*flushed
*pulled
*lick(ed) (yes, there is sex)
*grasp(ed)
*gasp(ed)
*against
*swept
*press(ed)--okay -- there is a lot of sex
*drew/draw/drawing/drawing near (argh)
*lift(ed) -- okay--really fun sex with super great locations
*jolt
*bolt (I love my frequently used words to rhyme
*quietly
*tousled (hey, why not have tousled hair?)
*walk(ed)--who lopes?
*grip(ped)
*yank(ed)
*ran (usually a character' fingers and hands are involved)
*soft (why????)
*hit (as in "hit the hay" or "hit the road"--I don't write about mean boys)

I am in editing purgatory.

This is why I am not blogging every day.

This is why laundry, dishes, exhibiting interest in my darling daughter's chemistry homework, and cleaning my cat's ears are wonderful activities to pursue in the act of creative avoidance.

The microwave timer is working on overtime hours.

Monday, June 22, 2009

Pitch-Hit-Catch

I finished transcribing my primary pitch onto my index cards and I feel a bit more prepared, or at least ready to practice my pitch. Then I cleaned house, did laundry, polyurethaned the table I've been redecorating, visited a friend, made dinner, and worked on the second pitch.

Why is the unrevised first draft of my fourth book easier to think about than the multi-revised 3rd book? Argh. Any rate, now I have all my 2nd pitch on the computer and need to transcribe it to index cards so I can practice it as well.

I think I have learned something from this experience. Write the first draft--prepare taglines and pitches for it--queries--synopsis submissions--then start full revisions. I think the core of the story is the pitch.

At least it is for me.

Dilemma: what story do I pitch first? The one I know is ready to submit? Or the one I am passionate about now?